This article examines closely an important passage at the conclusion of the Mahābhārata wherein the final state of the epic heroes after death is defined. The Critical Edition’s phrasing of what precisely became of the characters once they arrived in heaven is unclear, and manuscript variants offer two apparently contradictory readings. In this article I present evidence in support of one of these readings, and respond to the Mahābhārata ’s seventeenth century commentator Nīlakaṇṭha Caturdhara, who champions the other. Underlying and (...) prompting this debate is a much broader issue of the epic narrative: the complex nature of the Mahābhārata heroes as both agents in a universe governed by karma , and their identities as “portions” of divine figures acting within a broader dramatic structure of eschatological myth. (shrink)

A recent publication (I by Simon Brodbeck, 2022) proposes to resolve a long-standing theological conundrum of Hindu mythology on the basis of a literary-holist or “synchronic” reading of the Sanskrit Mahābhārata, seeking thereby to displace earlier scholarship treating this theme. This review essay provides a thorough analysis of the arguments of Divine Descent and the closely linked matter of the two competing methodologies in the reading of the Sanskrit epics: the “synchronic” or holist approach championed by Brodbeck and the “analytic” (...) approach, which views the Mahābhārata as a historically layered text. Ultimately, I argue here that the latter “analytic” solutions to the conundrum, which it was Brodbeck’s purpose to challenge, account for the matter far more persuasively. In particular, I make special reference to a 1960 study by Paul Hacker as a work of persisting value for understanding the historic development of the avatāra system over time. (shrink)